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Reviews

Babylon (1980) Review

March 15, 2009 by Rich Leave a Comment

Directed by Franco Rosso, ‘Babylon’ is a British film from 1980 which looks into the lives of a group of working class black youths living in London. Reggae music is a massive part of these people’s lives, and the film does in fact star Brinsley Forde, vocalist and rhythm guitarist of the reggae band Aswad.

‘Babylon’ centres around the strong social bond that these young people have, the importance of music, and also looks into the subject of racism; not just from members of the general public, but also from authority.

Blue (Brinsley Forde) is central to much of the film’s plot, and it’s his progression through life here which is focused on most heavily. The film follows his journey well, and we watch as his own personal life events make him increasingly angrier with the society in which he lives in. Racism takes its toll, and as he becomes the subject of much racial abuse on many occasions, he finds it all too much to handle.

The acting is all very natural here, and all those involved in the film play their parts well. The film has a very realistic feel, and the way that the characters interact with one another is all very believable.

Reggae music is utilised to excellent effect, and the musical score really does add to the film’s appeal. This is a young group of people trapped in poverty, working in jobs that they hate; music is a fine form of escapism for them though, and it’s through the music that they connect with one another, and can celebrate their identities as young black males.

A highly regarded film at the time of its release in 1980; ‘Babylon’ still hits hard nearly 30 years later, and the issues which it tackles are still important ones today. ‘Babylon’ stands out strongly as a supreme social commentary, highlighting the horribly racist and incredibly ignorant society of the time.

Co-written by Franco Rosso and Martin Stellman (Quadrophenia); ‘Babylon’ is an excellent film that is most definitely not to be missed.

Rating:

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: Babylon, Brinsley Forde, Franco Rosso

Weezer – Troublemaker

March 12, 2009 by Rich Leave a Comment

Weezer - TroublemakerThe second single released from Weezer’s Red Album, ‘Troublemaker’ is perhaps one of the most repetitive pieces of music you’re ever likely to come across. Both vocally and instrumentally also there is very little variation here, and the track therefore becomes quite tiresome incredibly quickly.

Weezer has written some fantastic tracks throughout the years, ‘Troublemaker’ is certainly not one of them though, and this is by no means a shining example of Weezer’s finest work.

The guitar riff is fun at first, it soon grows old though, and the chorus just isn’t strong enough for me. In places the track has potential, it never quite bursts out of the blocks though, and ‘Troublemaker’ instead just plods along without ever really doing too much to please.

I’ve always had quite a fondness for simplistic songwriting skill of quirky Rivers Cuomo, what’s displayed here with ‘Troublemaker’ just doesn’t impress me though, and Weezer can quite frankly just do so much better than this.

Label: Geffen
Release Date: November 24th 2008

Rating:
Review StarReview Star

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: Weezer

The All-American Rejects – Gives You Hell

March 10, 2009 by Rich Leave a Comment

The All-American Rejects - Gives You HellWith Oklahoma’s All-American Rejects, you always know that bouncy pop rock is going to be guaranteed. The All-American Rejects has to date released three studio albums, and ever since the band burst onto the scene with ‘Swing, Swing’ back in 2003, always the music has had a lot to offer.

The All-American Rejects is most certainly a band that knows how to write a catchy pop song, and for pure singability, ‘Gives You Hell’ definitely doesn’t disappoint. The lyrics are a little dark, the track is sung out as sweetly as ever by the band’s lead vocalist Tyson Ritter though, and the fun nature of the music is just absolutely fantastic to find.

‘Gives You Hell’ is a strongly structured pop song, and whilst the band probably won’t win any awards for originality, as a piece of pop rock music the track works well, and the infectious nature of the music provides for a very entertaining overall listening experience.

If you’re a bit of a music snob then you probably won’t like ‘Gives You Hell’, if however you like light-hearted music that makes you smile, then there’s a strong probability that you’ll like what The All-American Rejects has to offer here.

‘Gives You Hell’ is a high quality piece of pop, and once again The All-American Rejects has pulled it off in putting to record a cheery sounding pop rock song which is fun to sing and dance along to.

Label: Polydor
Release Date: February 2nd 2009

Rating:
Review StarReview StarReview StarReview Star

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: The All-American Rejects

Rise Against – Audience of One

March 10, 2009 by Rich Leave a Comment

Rise Against - Audience of OneRise Against really set the bar high with first three albums ‘The Unraveling’, ‘Revolutions per Minute’, and ‘Siren Song of the Counter Culture’. Putting to record some incredibly intelligent pieces of music; Rise Against won fans all around the world, impressing many with their finely worked material.

It’s a shame, but the band that was once full of passion, bite, and enthusiasm now seems a little limp. ‘Audience of One’ is an okay track, nothing hugely special though, and certainly not evidence of Rise Against at its very best. The songwriting just doesn’t seem to be of the same level as it once was; Tim McIlrath’s heart seemingly isn’t in it in the same way, and the track lacks fire.

With ‘Audience of One’ it sounds as though Rise Against isn’t enjoying creating music anymore, the life has been sucked out of the music, and the band just sounds a little bored with it all.

Hopefully Rise Against can bounce back from this, with time the passion will perhaps return, and maybe then the band will once more release an album that will blow all away that listen to it. On the evidence of ‘Audience of One’, Rise Against has hit a bad patch right now though, and one can only hope that the passion will return in the future.

Label: Interscope
Release Date: March 3rd 2009

Rating:
Review StarReview StarReview Star

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: Rise Against

Black Christmas

November 22, 2008 by Rich Leave a Comment

I’ve never been a particularly big fan of Christmas, I had to wait until last year actually for my first enjoyable Christmas, and although last Christmas was most definitely well worth the wait; prior to that I’d experienced twenty terrible Christmases in my lifetime.

Last Christmas was incredibly special, I got to spend it with my soul mate and I loved every second of it. Whilst I’d never previously enjoyed a Christmas though, I’ve always been a big fan of Christmas films. I guess the reason I’ve always been such a big fan of them is because watching them was to witness Christmas as I always felt it should be. They’re magical, the occasion seems so special, and everything just seems perfect. Prior to last Christmas though, my personal experience of Christmas was that of dysfunctional families, falseness around the dinner table, and post-dinner family member tears. Not quite the idyllic Christmas joy you see in the films, that’s for sure.

Black Christmas was the film I watched today, not the original 1974 movie mind, but instead the terrible 2006 remake. I thought it’d be enjoyable, I love horror films, and remakes of popular 70s films can often be really good. This one wasn’t; Glen Morgan’s Black Christmas remake wasted away 84 minutes of my life, 84 minutes I’ll now never get back – thanks Glen. Watching Glen Morgan’s Black Christmas was almost as pleasurable as spending Christmas with my family, almost, but not quite even that good. Black Christmas provides for painful viewing, and whilst watching the film I just always felt a bit bored. It’s not as though it’s a long film, in fact at 84 minutes it’s actually pretty short; it gets old quick though, and after just ten minutes I was already waiting for the film to end and eagerly watching the timer on the DVD player tick slowly away.

With Christmas fast approaching I figured that now would be as good a time as any to watch Glen Morgan’s Black Christmas, having watched it though I just really wish I hadn’t bothered. I haven’t actually seen Bob Clark’s 1974 original, I will watch it soon though and I have no doubt whatsoever that his original telling will be far superior. Bob Clark sadly passed away in April 2007, his films live on however and he also famously directed the first two Porky’s films, and not so credibly directed Baby Geniuses 1 and 2 as well; two films seen by many as being amongst the worst movies ever made.

What I was hoping to be a fun Christmas slasher turned out to be a total waste of time, I will credit the film with one thing though; it’s a lot better than Michael Cooney’s Jack Frost so it’s certainly not the worst Christmas horror movie ever made.

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: 70s Horror Remake, Black Christmas, Black Christmas Remake, Glen Morgan, Slasher Horror

The Cottage Review

November 12, 2008 by Rich Leave a Comment

From director Paul Andrew Williams (London to Brighton), ‘The Cottage’ is a comedy horror film which originally achieved a UK cinematic release in March 2008. This dark British film stars Andy Serkis, Reece Shearsmith, and Jennifer Ellison.

Brothers David and Peter come up with a master plan in order to bag a large sum of cash between them. The plan is that they’ll kidnap the daughter of a big time gangster, hold her hostage, and demand £100,000 ransom. It all seems so simple, it doesn’t quite go according to plan however and before long everything starts to go wrong for the two brothers. As the £100,000 looks increasingly less likely to become theirs, things go from bad to worse and the brothers, along with their hostage Tracey find themselves to be in a very sticky situation indeed. This bungled kidnapping gets incredibly messy as our key protagonists find themselves fighting for their lives.

Never does ‘The Cottage’ ever seem to really get going, it paces along and is mildly amusing in parts, on the whole however the film just fails to impress and there’s a lot of time spent here merely waiting for things to happen. The jokes are few and far between, the horror aspect is often incredibly predictable, and whilst I did enjoy the film a little in places; overall I’d have to say that I wasn’t really that impressed by ‘The Cottage’. There were elements that I quite liked about the film, not enough to ever keep me completely entertained however and frequently I found myself wondering when the film was going to come to its end.

In the original Paul Andrew Williams script, hostage Tracey was meant to be a 40 year old woman; in the film Tracey is played by Jennifer Ellison however, and according to Paul Andrew Williams himself, in order to get finance for the film he was asked to cast someone young for the part. I don’t feel it would have made much difference regardless of who had have played the part of Tracey; there wasn’t much to the film really, and although Jennifer Ellison was quite weak in her role – the script didn’t really allow for any real depth of performance anyway.

The plot line is quite ropey, the jokes on the whole unfunny, and what I enjoyed most about the film was probably its brief moments of tension. Suspense was built well in parts, had me on the edge of my seat a little, really making me feel as though I was watching a ‘real’ horror movie. I feel that had the film trod a more horror based line then the film perhaps would have been more successful, the suspenseful horror parts were more enjoyable to watch than the comedy elements, and had this been the key focus of the film then ‘The Cottage’ could well have been a reasonable British horror film. As it turns out though, the film was never really too much of either, and whilst there were a few funny moments and some excellent elements of suspense; all in all there’s a lot about this film not to like and many moments where the film just doesn’t really work.

In terms of quality of cast I feel that Paul Andrew Williams did quite a good job with ‘The Cottage’. I always enjoyed watching Reece Shearsmith in the League of Gentlemen, and it was quite nice to see Andy Serkis present here also, a man probably best known by most for having played Gollum in ‘The Lord of the Rings’ films. As for Jennifer Ellison though? Well, as Paul Andrew Williams wanted her role to be played by a 40 year old we’ll ignore that one. The casting of ‘The Cottage’ wasn’t at all the films problem, more the quality of the script and the general flow of the film.

‘The Cottage’ is certainly not one of the worst films I’ve ever seen, it had its positive aspects and there were times when I did quite enjoy what was going on on-screen. On the whole the film is not great, better than some I’ve seen though and watching the film was not a complete waste of time, just not an entirely enjoyable experience. Would I watch ‘The Cottage’ again? Well, quite frankly no, that’s not to say I hated the film though, just more to the point that I found the film to be not very good.

Paul Andrew Williams is a decent director and ‘The Cottage’ is not a complete disaster, it has its merits and I know for a fact that there are some that do enjoy the film (it has a Rotten Tomatoes overall freshness percentage of 71% for instance); I’m not one of the films fans however, and stand by my point that I feel Williams would have had greater success had he made ‘The Cottage’ an all out horror film. ‘The Cottage’ has not put me off the future films of Paul Andrew Williams, merely removed my wish to ever watch this particular film again. ‘The Cottage’ has its fans, personally I don’t rate the film but if you are a fan of the comedy horror genre then by all means obtain a copy of ‘The Cottage’ on rental and see what you make of this 2008 Paul Andrew Williams directed dark comedy horror.

Rating:

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: Andy Serkis, Jennifer Ellison, Paul Andrew Williams, Reece Shearsmith, The Cottage

Cute Is What We Aim For – Practice Makes Perfect

October 14, 2008 by Rich Leave a Comment

Cute Is What We Aim For - Practice Makes Perfect‘Practice Makes Perfect’ was the first single lifted from the Cute Is What We Aim For album ‘Rotation’. The album was released in June 2008 and consists of twelve tracks, ‘Practice Makes Perfect’ being the opening track of the album.

‘Practice Makes Perfect’ is an uplifting piece of powerpop and comes complete with the fantastic vocals of Shaant Hacikyan that we have all come to know and love over the past couple of years. It consists of a powerful melody and always a supremely strong vocal display. The track is instrumentally entertaining and vocally rewarding to listen to also. The track consists of a superbly strong construction; every element of the music coming across magnificently well and not a single quality of the sound disappointing here in the slightest.

For fans of cleanly sung out powerpop/pop punk music then Cute Is What We Aim For’s ‘Practice Makes Perfect’ is most definitely well worth listening to; it’s a fine musical creation and when it comes to powerpop you won’t find much greater than this. Faultless in every manner, ‘Practice Makes Perfect’ unfolds phenomenally and provides for a thrilling 3 minutes and 44 seconds of music. ‘Practice Makes Perfect’ comes highly recommended by myself and I definitely advise that the track be listened to by all. If you don’t listen to this track then you’ll be missing out on something truly very special.

Label: Fueled By Ramen
Release Date: June 23rd 2008

Rating:
Review StarReview StarReview StarReview Star

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: Cute Is What We Aim For

The Maccabees – Colour It In

August 27, 2008 by Rich Leave a Comment

‘Colour It In’ is the debut album from the Brighton based indie band that is The Maccabees; the album was released through Polydor Records in May 2007 and consists of a total of thirteen tracks. The band plays its own brand of indie pop and for fans of such bands as The Cribs, The Pigeon Detectives, and Mystery Jets then The Maccabees music is well worth listening to. The bands vocals are an acquired taste and I’d therefore recommend seeking out the band’s music at a source such as YouTube or MySpace before committing to buying this album; the vocals will not be appreciated by all, the instrumental side of things on the other hand is absolutely magnificent and I’m sure that everyone that listens to this album will take plenty of enjoyment from The Maccabees instrumental element.

‘Good Old Bill’ gets the album off to a decent enough start, it’s quite a pleasant track to listen to and the band here makes excellent use of guitar sound. Always the instrumental side of things is excellent here and from start to finish with this album in fact there’s never a dull instrumental moment. The drumbeats are brilliant and the guitar work also is simply stunning in its execution; the instrumental side of things reminds me a little of Razorlight at times here, the vocals are very different however and the uniqueness of the bands vocals is probably The Maccabees main selling point. It’s the bands vocal use which makes the music stand out, the vocals are different to most and the music therefore grabs your attention; even if you don’t like the bands vocals then there’s no denying that they’re different. The vocals are often very central to the band’s sound, for me it is the instrumental side of things that is most impressive here however and most markedly the band’s terrific use of guitar.

‘About Your Dress’ and ‘Precious Time’ are two of the bands best efforts from this album and come fifth and sixth on the album respectively. ‘Precious Time’ has an absolutely excellent chorus which really makes the music stand out, the music is hugely striking and the track is therefore highly enjoyable to listen to. ‘About Your Dress’ is similarly blessed in the chorus department and once more the instrumental side of things is absolutely brilliant here. The drumbeats are brilliant whilst some super guitar sounds also here are achieved. The track is intelligently constructed and although the vocals are a little irritating in the verse; the chorus is very cleanly sung out and absolutely excellent to sing along to.

‘Toothpaste Kisses’ is by far the best track from the album and is utilised here as the albums closing number. It’s a supremely laid back track and really does work well here. The music is soothing to listen to and it truly is an excellent track to sit back and unwind to. It’s largely instrumental and this I feel is why I perceive it to be the best track of the album; I’m not a huge fan of lead singer Orlando Weeks vocal tone and less is therefore more here. When the instruments are left to do the talking the end result is absolutely exceptional here and always the track is supremely soothing to listen to and packed full of positivity. Even the vocals are a lot better to listen to here, they lack the whininess that they have with the majority of the other tracks present on this album and instead are quite cleanly and superbly sung out. The Maccabees has here saved the best until last and it’s therefore worth bearing this in mind when listening to ‘Colour It In’ for the first time.

‘Colour It In’ is a pretty decent debut from The Maccabees, for me it loses appeal due to the nature of the vocals however although I can appreciate what the band has done here for being different and not just copying the trends that others have set beforehand. It takes guts to try out something different and for The Maccabees it has all paid off and the band has managed a decent degree of commercial success. I can understand the appeal of The Maccabees and as I’ve already stated; ‘Toothpaste Kisses’ is an absolutely magnificent track and one which I thoroughly recommend listening to. Even if you don’t listen to any of the other tracks from this album then ‘Toothpaste Kisses’ is most definitely one to give a spin; you’ll surely not be disappointed with what you hear and the instrumental succulence of The Maccabees music will almost definitely highly impress you. This is not the greatest indie pop album ever to have been released, it’s still pretty good though and if you appreciate the vocals of Orlando Weeks then that will obviously be an added bonus; listening to this album and not liking his vocals is a little grating, the instrumental side of things always is excellent however and if you love a good instrumental display then I’d definitely consider giving this ‘Colour It In’ album a go.

‘Colour It In’ is not an album that will ever change your life; it’s still pretty fun to listen to though and if the vocals float your boat then this combined with the supreme nature of the instrumental side of things should provide for an absolutely exceptional overall listening experience.

Label: Polydor Records
Release Date: May 14th 2007

Rating:
Review StarReview StarReview Star

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: The Maccabees

Hydrogyn – Deadly Passions

August 26, 2008 by Rich Leave a Comment

‘Deadly Passions’ is the second studio album from the Kentucky based rock band that is Hydrogyn. The band was formed in 2003 and as well as having released two studio albums the band has released a live album also. The band is fronted by Julie Westlake and it’s therefore her vocal tone which hits you throughout this album; she has a great voice and puts an awful lot of power behind it in order to belt out the ten tracks of this album. The guitar riffs also possess great strength and although not hugely exciting; the instrumental side of things is still quite pleasant to listen to here.

The album gets off to an explosive beginning with opening number ‘Rejection’, the track possesses a fast tempo and really kicks the album off with great power. Hyrogyn here storms through the track and executes it absolutely excellently. The vocals are brilliant and the guitar work also is really quite interesting to listen to. Although the guitar riffs are decent enough here however; throughout much of the album the band does seem to lack instrumental power a little and instrumentally the music therefore becomes quite tiresome quickly. The tracks are pleasant enough to listen to, there’s often a lack of energy and excitement in the instrumental sector however and the tracks have a tendency to all merge together as one. Julie Westlake is a hugely talented vocalist but the rest of the band perhaps lacks the instrumental talent to provide her with an impressive enough instrumental backdrop.

With tracks such as ‘Seroquil’, ‘Shadow’, and ‘On And On’; Julie Westlake shows herself to be a truly exceptional front woman; she has a great voice and always here her voice is absolutely excellent to listen to. ‘Seroquil’ for instance has an absolutely beautiful verse whilst ‘On And On’ on the other hand has a hugely hard hitting chorus. Westlake’s vocal range is absolutely magnificent and throughout this album it is her vocal influence which makes the music so impressive to listen to. Julie Westlake is without doubt one of the most talented female vocalists I’ve ever had the pleasure of hearing. If only the rest of the band had the instrumental talent to really do her voice justice then Hydrogyn would be an absolutely unstoppable furious force of a rock band.

Jeff Westlake is the bands guitarist, at times he pipes up with an impressive guitar solo; for the most part however his guitar work is fairly unexciting and really does hold back the overall quality of the album. The drumbeats are equally unexciting on the whole and the main failing of Hydrogyn is most definitely in its instrumental section. Near enough title track ‘Deadly Passion’ contains some super guitar work so it’s not as though the band can’t produce the goods when it wants to, for the most part the instrumental side of things is just nothing special though and given the excellence of Julie Westlake’s voice; she really deserves a lot more.

Were this album a little more instrumentally energetic and exciting then ‘Deadly Passions’ would be a far more enjoyable album to listen to. This is not a bad album; the vocals are absolutely amazing for instance, the instrumental side of things is definitely a little disappointing however and a little more innovation in the guitar playing department certainly wouldn’t go amiss. With the right songs Hydrogyn could easily be a successful commercial rock band; Julie Westlake has a great passionate and powerful voice, and it’s also really clean and approachable in its sound. I’d love to hear the band show a little more with its next album; all that is required here is a few instrumental tweaks and changes and the music would be far harder hitting and exciting to listen to. Hydrogyn is a decent enough band and the lead vocals are exceptional; instrumentally the music lacks edge though and this is most definitely something that is holding the band back a little at current.

If you’re a fan of female vocals then ‘Deadly Passions’ could be a decent album to listen to; for vocal ability you won’t find much better than Julie Westlake and for fans of vocalists such as Hayley Williams, Amy Lee, and Sharon Den Adel then her voice should most definitely be of great appeal. Instrumentally the album is always held back a bit, vocally there is no stopping Julie Westlake here however and ‘Deadly Passions’ is probably worth listening to just to hear how amazing her voice truly is. Give this album a go and see what you think, the vocal melodies are simply stunning and I’m sure you’ll be incredibly impressed with the range and passion that has here been achieved by Julie Westlake.

Label: DR2 Records
Release Date: June 23rd 2008

Rating:
Review StarReview StarReview Star

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: DR2 Records, Hydrogyn

Look See Proof – Between Here and There

August 24, 2008 by Rich Leave a Comment

‘Between Here and There’ is the twelve track debut album from the Hertfordshire based band that is Look See Proof. The album has seen its release through Weekender Records, and what we have here with Look See Proof is yet another Futureheads style post-punk revival/indie rock band. The band’s sound hints at a number of different bands such as Bloc Party, The Rapture, and of course the aforementioned Futureheads. This is not a particularly bad album, it’s incredibly unoriginal though and everything that has been accomplished by Look See Proof here has already been done better by others. The album is bland and treads no new ground whatsoever; the music of Look See Proof will no doubt be liked by many, it’s the commercial post-punk revival sound that a lot of bands are popularly producing at the moment; it doesn’t make the music any more original or exciting though and commercial success is by no means a measure of innovation.

The album begins with ‘You Don’t Get It’, a fairly interesting track with a decent enough chorus to boot. Were this album released a few years back then the band’s sound would probably be more exciting; as the genre has been done to death already though the music therefore lacks edge, energy, and excitement. As the album progresses the tracks have a horrible knack for blending together into one and never can you quite tell where one ends and the next begins. All twelve tracks sound incredibly similar and throughout all of them I’d say that the band that Look See Proof sounds most like here is most definitely The Futureheads. Half of the tracks present here do in fact sound like absolute carbon copies of The Futureheads music; no marks whatsoever for originality then and marks deducted in fact for pure bandwagon jumping factor.

The further you get through this album the less exciting the choruses begin to get. For a few tracks the choruses are quite catchy and you almost find yourself singing along; after a while you begin to notice that every track has the exact same echo effect in the chorus however and that there’s no telling the tracks apart even by their choruses. It’s a very irritating factor here that Look See Proof shows no obvious signs of any actual talent as a band; every quality of the music is stolen from others and every guitar riff, every vocal melody, and every drumbeat also; all is taken directly from the music of others. Look See Proof is not a bad band, as a Futureheads cover act I can imagine that they’d be brilliant; rehashing other people’s ideas is a lot less difficult to do and far less impressive however than creating music that is actually a little innovative and original.

Full credit must go to Look See Proof though for including at least one track that doesn’t sound like the musical lovechild of Bloc Party and The Futureheads. ‘Bishopsgate’ sound nothing like either of these bands; oh no, the band instead here chooses to take a little inspiration from Pete Doherty; brilliant. The track is dreadful and the bands singing of ‘I don’t wanna pay the rent’ in the chorus is completely out of tune. It’s painful to listen to and you have to wonder why the record label didn’t save the artist a little embarrassment here by using auto-tune; the track sounds rough and the vocals are completely dire. It’s a definite low point for the album and why the band/record label saw it fit to include this one I just don’t really know.

Closing track ‘Start Again’ is perhaps one of the better efforts from this album; it’s still very unoriginal but does work out quite well for Look See Proof here in that the track is reasonably interesting and exciting to listen to. It is as ever very Futureheads in its nature and if you like the music of The Futureheads then you’ll probably like this track as well. Despite this being my favourite Look See Proof attempt from this album I’d still rather listen to The Futureheads though; why accept an imitation when you can listen to the real thing.

If you listen to a lot of post-punk revival music then you may well find the time in your day to listen to Look See Proof; if however you’re looking for something a little new and different from the norm then Look See Proof is not the band to provide you with this. The Futureheads2 would be a much more apt name for the band than Look See Proof; perhaps the band could change their name to something like ‘Look and listen to See Proof that we sound exactly like The Futureheads’ in fact, or perhaps that’s already what the band’s name is short for anyway. Some of the music is fairly interesting here and this is not a terrible album; it’s very unoriginal though and it’s therefore difficult to listen without having that niggling annoyance in the back of your mind about the lack of creative innovation displayed by Look See Proof and the copycat nature of the band’s music. It’s all very well to take influence from other artists but to try and mimic their sound exactly is just taking it a step too far; Look See Proof is yet another sound-alike post-punk revival band and for most it’s probably for the best to avoid this ‘Between Here and There’ album.

Label: Weekender Records
Release Date: June 2nd 2008

Rating:
Review StarReview Star

Rich

UK based film graduate with a huge passion for music, sports and video games.

Filed Under: Reviews Tagged With: Look See Proof

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